60 oo nb j eac t sv al irki ee tsyt aor sf , wf oartme rs darnodp s ,sat anndds eiend sf.o r 10 Td ihf feerree n caer se si ne v edr aolt i ns itzeer,p r ectoaltoi uo nr, s afnodr amr irgahntg ebme e nuts. e d Ltaor g sey md obtosl, i s feo r s i ignnsit� ai cnacnet, pu sl aecde s ot or e vreenptrse, swe nhte r eaausxliiltital reyd o tdsact aa n boer bh ai dc ek gi nr of ournmd a. Mt i oonr etohvaet rw, dhoi tt se cpaeno pb el e uds oe dn ot ot understand from indigenous people. 11 Animals: patAtenrinmsals are one of the most distinctive in indigenous painting, rr ee ps pr ee sc et nbt ient gw etehne i nc ldoi sgee n oc ou ns n pe ec toi po lne aa nn dd nature.12 Animals are not only important s li o v u es rce o s f of in f d o i o g d en a o n u d s c p om eo p p a le n , ion b s ut in a t l h so e si ny smt abnocl es , o fktahnegi ar raonocse s rt oe pr sr easnedn tt iont ge mssp. eFeodr aa nn dd cs rt er ea nt igvti ht y, , carnodwcs r or ec po rdei lseesn rt ei npgr ews ei sndt oi nmg danger and protection.13 People: u w s h e Ui d c - h s h s a y r p m e e p b d r o e i l s s s e o n n i t n e s o i f i n n t d d h i i e g g ee m n n o o o u s u t s s c o p p m a e i m o n p t o i l n n e l g ' y s , understanding and expression of themselves and society.14 The human body hi nads i g edni fof ue rs epnat i n tf ionrgms ,s s u ac nh da s fproosnttuor er ss i dien, swteaanpdoinngs. or sitting, holding tools or 15 v cu al lO u tu a v r b e e r l , e a l a l s , p a i r t A t b is o o r a f i g f i A o n u r a m s l t ra op l f i a ai e n n x t p in A re g b s os r io i i g s n in o a a f l tthraediritionsps.iritual beliefs and cultural History of Catholicism and its impact on Aboriginal Spiritual ArtAboriginal spiritual painting in Ao vuesrt r at ilmi a eh aasn da l suonddeevr e leoxpt ee rdnaanl di nc�hl uaenngceed, eTshpee chiiasltloyr ywoi tfh Atuhset r aalrirainv aCl aot hf ocl oi cliosnmi s ec rasn. bbeatcthraceodf baBcrkititsoh 17c8o8lo, nwisheresn thareri�viersdt, including some Catholics.16 With the arrival of more immigrants and ma ni ds s iboencaarmi ees , t Ch ae t hs oe cl ioc ni sdm l agrrgaedsut a rl leyl i ggiroeuws group in Australia.17 During the process of me nicsos iuonntaerrye d w omrakn, yC acthhaollliecn gme si s, s i oa sn a rtihees A tr b a o d r it ig io in n a a l l b p e e li o e p fs les tha o t f we A r u e st c r o a m lia ple h te a l d y different from Western culture.18 Because the traditional belief system of Aboriginal 17 Susan Lowish, Rethinking Australia's Art History: The Challenge of Aboriginal Art (New York: Routledge, 2021), 79. 13 Wroth, “Australian Aboriginal Art Symbols and their Meanings.” 11 Robyn Ferrell, Sacred Exchanges: Images in GSU olnoci bvi aeal rl CsCiroti ytni tcPei rsxemt s, s, C, ao2nl 0ud 1mt 2hb)ei, a3A 1Tr t.hs e (mN ee swi nY oPrhki :l oCsool pu hmyb, i a 15 Wroth, “Australian Aboriginal Art Symbols and their Meanings.” 12 Finley, Aboriginal Art of Australia, 25. 14 Finley, Aboriginal Art of Australia, 28. 16 Regina Ganter, Australian National University Press, and Aboriginal History Inc., The Contest for Aboriginal Souls: European Missionary Agendas in Australia, Aboriginal History Monographs (Acton, A.C.T.: ANU Press, 2018), 2. 10 Myers, Painting Culture, 57. 18 Lowish, Rethinking Australia's Art History, 80.
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